Showing posts with label shepard fairey. Show all posts
Showing posts with label shepard fairey. Show all posts

Friday, August 19, 2011

T&J OSLO




Shepard Fairey




Shepard Fairey




Shepard Fairey




Faile




Faile




whatson




whatson





London Police




Will Barras

Some great works going up in Oslo and a show opening tonight...

Find out more here

Cheers to Whatson for the photo's


From the Website
T&J Art Walk Limited is the organisers behind T&J Art Walk for the benefit of Human Rights Watch. It is a London based company run by Katinka Traaseth and Johanna Beer. The two young women met at Sotheby's Institute of Art in London where they studied Art & Business. In fact the charity project started as a school project in form of a business proposal. However, with their common interest for contemporary street art and charitable work they quickly decided that they wanted to realise the idea of supporting a good cause through the sales of art. The choice of contemporary street art was easy as the form of art was traditionally used to express the people's opinion and a political message. Stay tuned to follow the process and see what's next…



Tuesday, August 9, 2011

SHEPARD FAIREY MURAL IN OSLO


Shepard Fairey OSLO 2011 from T&J Art Walk on Vimeo.

Memorial mural designed by Shepard Fairey at Kirkeveien 59 in Oslo, to honour the victims of the tragedy of July 22.

Part of T&Jartwalk

Thursday, August 4, 2011

SHEPARD FAIREY IN COPENHAGEN

Photo Henrik Haven


Shepard Fairey's new show "Your Ad Here" opens this Friday at Copenhagens V1 Gallery (See press release below). In addition Shep and his crew have been getting up in and around the city with a dozen sites being planned. Seems one particular miscreant is none too happy about it.


V1 GALLERY PROUDLY PRESENTS

YOUR AD HERE
A SOLO EXHIBITION BY SHEPARD FAIREY

RECEPTION: FRIDAY AUGUST 5. 2011. TIME: 17.00-22.00
EXHIBITION PERIOD: AUGUST 6. - SEPTEMBER 3. 2011

“Your Ad Here”, recent works by Shepard Fairey, comprises a broad array of mixed media works on canvas and paper, as well as screen prints, retired stencils, and Rubylith cuts. Building upon Fairey’s history of questioning the control of public space and public discourse, much of the art in “Your Ad Here” examines advertising and salesmanship as tools of propaganda and influence. One series in “Your Ad Here” portrays politicians like Reagan and Nixon as insincere salesmen wielding simple slogans that represent their true agendas when stripped of verbose demagoguery. Another series of works are paintings of Fairey’s Obey “Icon Face” in various urban settings usually reserved for advertising as the primary visual. These works showcase the power of images in the public space, and encourage the viewer to think of public space as more than a one-way dialogue with advertising, but as a venue for creative response. “Your Ad Here” means exactly that… not just THEIR ad here, but you can put YOUR ad here. Additionally, these cityscape paintings contextualize Fairey’s street art as an element integrated in an intentional composition. Some of the works in “Your Ad Here”, such as a group of retired spray-paint stencils demonstrate the simple and direct methods of art application that Fairey has used both in the street, and in his studio practice. All of the works in “Your Ad Here” whether they relate to advertising, politics, or music culture, celebrate art as a powerful tool of direct engagement and empowerment.

V1 Gallery
Flæsketorvet 69 – 71
1711 Copenhagen V
Denmark
v1gallery.com

Thursday, July 7, 2011

SHEPARD FAIREY BY BSA



Shepard Fairey : Too "Street" For Corporate, Too Corporate For The Street

This one slipped by us earlier in the week..  an insightful and well thought through interview with Shepard Fairey from the guys over at Brooklyn Street Art for The Huffington Post.

Shepard Fairey has grown up before the eyes of fans, peers and would be competitors. Undaunted by criticism he gets from both sides of his chosen vocation as a globally-known street artist, the man still has a great deal to say. His art has made its way into homes, museums, wardrobes and book collections in addition to all the walls--legal and illegal--and he pays the price and gains the benefit of all of it. A living conundrum, he embodies the sharp tongued anti-establishment, anti-corporate, anti-police state ethos of his formative years, while gradually beginning to resemble the middle-aged dad who so much of the punk generation rebelled against.

He raises money for individuals and organizations advocating for the disempowered or victimized, yet street art and graffiti kids who feel marginalized in their lives call him a sellout for making commercial work. Without the credibility of major shows, arts institutions, and collectors he could never afford to employ people who help him. Yet keeping it clean and doing legal walls costs him "street cred." How exactly does one become an authority on questioning authority? You try this balancing act, and see how far you get without a scrape or two.


READ THE WHOLE INTERVIEW HERE

Photo courtesy : Jaime Rojo

Monday, May 9, 2011

SHEPARD FAIREY AND DEATH CAB FOR CUTIE



Death Cab for Cutie's "Home is a Fire" from the album Codes And Keys.

Video concept by: Shepard Fairey and Nicholas Harmer

Friday, February 25, 2011

GRAFFITI REMOVED FROM GRAFFITI


After seeing photos of the tagged mural, Cassady, a professional art conservator, volunteered to come to the corner of Frankford Avenue and Norris Street two days per week to remove the graffiti.

Now we know that some fine art conservators of yesteryear have been considered vandals, creating more problems and long term damage to works than they solved, what we hadn't realised was that they actively pursued and enjoy it.


This story strikes us as slightly insane, from the sublime to the ridiculous, as Fecal Face say, it's like taking the double bass and pianist out of a Jazz Trio because the drummer became famous.

From :Source

By John Paul Titlow

When Lauren Cassady first saw the photos on Facebook, she was infuriated. A friend of hers from the East Kensington neighborhood of Philadelphia had posted pictures of the side of a building with a large graffiti tag containing the word “Spain.”

Graffiti on a brick wall is not that unusual in Philadelphia, but for residents of the neighborhood, this tag was particularly irksome. It was made on a mural by Shepard Fairey, the world-renowned street artist most famous for creating the iconic “hope” poster of then-presidential candidate Barack Obama.


Fairey and a team of artists came to Philadelphia on April 23, 2010, and produced three murals, of which this was one. In mid-January of this year, residents noticed that the mural had been defaced with the large black and white tag.

After seeing photos of the tagged mural, Cassady, a professional art conservator, volunteered to come to the corner of Frankford Avenue and Norris Street two days per week to remove the graffiti.

To remove the spray paint and marker used to make the graffiti, Cassady sits on a bucket in front of the mural, slowly dabbing the tagged portion of it with a solvent-soaked Q-Tip.

“It’s a very slow process,” said Cassady. “You can’t use a lot of solvent at a time, or else you will harm the original work.”

She won’t be able to remove the tag completely, but hopes to get the mural as close to its original state as possible.

Cassady isn’t being paid to restore the mural, but rather volunteered to do it for her portfolio and because she genuinely enjoys restoring artwork, however tedious it might seem.

“It’s pure zen to me,” she said. “I just love it.”

Monday, January 3, 2011

SHEPARD FAIREY, IS NOT AN ARTIST



Interesting look at an art critics perspective on Shepard Fairey and the rise of the artist as a "brand".

Friday, November 12, 2010

MANHOLE STREETART








MANHOLE STREETART

Seems that not all corporate involvement with Street Art has to be completely retarded.
Milan's largest Fibre Optic company Metroweb have again sponsored the production of a series of street art designed manhole covers. 20 covers from the following 5 international street artists are dotted around the city.

The London Police (UK)
Shepard Fairey (USA)
Space Invader (France)
Rendo (Italy)
Flying Fortress (Germany)

The covers will stay in place for between 1 and 2 years or until someone manages to find a way to steal them. They're forged in metal so beware of postage charges for future ebay sales.

Check out all 20 on thedonblog here